1 00:00:00,701 --> 00:00:02,373 PREVIOUSLY ON... 2 00:00:02,373 --> 00:00:05,106 WHY DIDN'T YOU TELL ME YOU WERE HAVING MONEY PROBLEMS? 3 00:00:05,106 --> 00:00:07,178 SUSAN MADE A DIFFICULT DECISION. 4 00:00:07,178 --> 00:00:10,111 YOU CAN'T SELL YOUR HOUSE. WE'RE NOT SELLING. WE'RE RENTING. 5 00:00:10,111 --> 00:00:12,043 BREE WAS BLACKMAILED BY SAM. 6 00:00:12,043 --> 00:00:15,616 I'M TALKING ABOUT YOUR SON RUNNING DOWN CARLOS' MOTHER. 7 00:00:15,616 --> 00:00:19,190 I WANT YOU TO SIGN OVER YOUR COMPANY TO ME. 8 00:00:19,190 --> 00:00:21,792 PATRICK GOT WHAT HE NEEDED 9 00:00:21,792 --> 00:00:24,155 TO FORCE ANGIE TO DO WHAT HE WANTED. 10 00:00:24,155 --> 00:00:26,057 YOU'RE GONNA MAKE ME ANOTHER BOMB. 11 00:00:26,057 --> 00:00:30,301 BUT ANGIE MANAGED TO SEND OUT A CALL FOR HELP... 12 00:00:30,301 --> 00:00:35,066 AND LYNETTE DISCOVERED THAT EDDIE WAS THE KILLER. 13 00:00:39,710 --> 00:00:42,243 (Mary Alice) IN THOSE FIRST AWFUL MOMENTS, 14 00:00:42,243 --> 00:00:47,047 ALL LYNETTE SCAVO COULD THINK OF WERE HER CHILDREN. 15 00:00:47,047 --> 00:00:52,123 SHE THOUGHT OF THE MOMENT HER DAUGHTER BEGAN TO WALK... 16 00:00:52,123 --> 00:00:57,288 AND THE DAY HER SON WON THE SPELLING BEE... 17 00:00:57,288 --> 00:01:01,532 AND THAT TIME HER TWINS SCARED HER WITH A FROG. 18 00:01:03,834 --> 00:01:08,169 YES, THIS IS WHAT LYNETTE THOUGHT ABOUT... 19 00:01:08,169 --> 00:01:13,574 WHILE A DISTURBED YOUNG MAN WAS HOLDING HER HOSTAGE. 20 00:01:13,574 --> 00:01:14,805 EDDIE, PLEASE. 21 00:01:14,805 --> 00:01:17,308 (voice breaking) DON'T TALK TO ME, MRS. SCAVO. 22 00:01:17,308 --> 00:01:20,551 I REALLY NEED TO THINK. I KNOW YOU MUST BE SCARED. 23 00:01:20,551 --> 00:01:22,813 BUT I AM YOUR FRIEND, EDDIE. I WANT TO HELP. 24 00:01:22,813 --> 00:01:25,416 LOOK, WHAT--WHAT-- WHAT CAN YOU DO? 25 00:01:25,416 --> 00:01:27,118 YOU CAN'T DO ANYTHING. 26 00:01:27,118 --> 00:01:31,392 I CAN TELL PEOPLE WHAT A MEAN, ANGRY DRUNK YOUR MOTHER WAS, 27 00:01:31,392 --> 00:01:34,395 HOW SHE ABUSED YOU, HOW DEFENSELESS YOU ARE. 28 00:01:34,395 --> 00:01:37,168 YOU ALMOST DIDN'T HAVE A CHOICE. AND WHAT ABOUT THE OTHERS? 29 00:01:37,168 --> 00:01:38,629 WHAT OTHERS? 30 00:01:38,629 --> 00:01:41,372 THE OTHER GIRLS I KILLED. 31 00:01:45,536 --> 00:01:46,777 OH. 32 00:01:46,777 --> 00:01:50,581 STILL THINK YOU CAN HELP ME? LOOK... 33 00:01:50,581 --> 00:01:52,583 I DON'T WANT TO HURT YOU. 34 00:01:52,583 --> 00:01:56,647 LOOK, WE'LL DRIVE TILL WE'RE IN THE MIDDLE OF NOWHERE. 35 00:01:56,647 --> 00:01:59,150 I'LL DROP YOU OFF, AND BY THE TIME 36 00:01:59,150 --> 00:02:02,523 YOU FIND ANYONE TO TELL, I'LL BE GONE. NO. 37 00:02:02,523 --> 00:02:04,825 LOOK, I DON'T KNOW WHAT ELSE TO DO. 38 00:02:04,825 --> 00:02:07,198 I CAN'T HAVE YOU GOING TO THE POLICE. I CAN'T GO ANYWHERE. 39 00:02:07,198 --> 00:02:09,460 YES. 40 00:02:09,460 --> 00:02:14,235 ALL LYNETTE COULD THINK ABOUT WERE HER CHILDREN... 41 00:02:14,235 --> 00:02:16,467 MY WATER JUST BROKE. 42 00:02:18,339 --> 00:02:35,186 ESPECIALLY THE CHILD SHE WAS ABOUT TO GIVE BIRTH TO. 43 00:02:35,186 --> 00:02:38,929 TERESA PRUITT USED TO BE A NURSE. 44 00:02:38,929 --> 00:02:42,433 FOR 33 YEARS, SHE WORKED IN THE MATERNITY WARD 45 00:02:42,433 --> 00:02:46,197 AT FAIRVIEW MEMORIAL HOSPITAL. 46 00:02:47,868 --> 00:02:51,902 SHE SPENT HER DAYS CARING FOR NEWBORN INFANTS... 47 00:02:54,945 --> 00:02:58,579 AND LOOKING AFTER BRAND-NEW MOTHERS. 48 00:03:01,412 --> 00:03:06,817 IT WAS A JOB SHE HAD LOVED WITH ALL HER HEART. 49 00:03:06,817 --> 00:03:11,392 BUT THAT WAS MANY YEARS AGO. 50 00:03:11,392 --> 00:03:17,868 NOW TERESA PRUITT WAS BACK AT FAIRVIEW MEMORIAL... 51 00:03:17,868 --> 00:03:20,901 BUT THIS TIME AS A PATIENT... 52 00:03:20,901 --> 00:03:26,237 A PATIENT WITH A SECRET. 53 00:03:28,439 --> 00:03:31,712 HELLO, TERESA. I CAME AS SOON AS I COULD. 54 00:03:31,712 --> 00:03:33,213 (door closes) I'M SO SORRY. 55 00:03:33,213 --> 00:03:35,586 DON'T BE. 56 00:03:35,586 --> 00:03:36,947 IT'S MY TIME. 57 00:03:36,947 --> 00:03:39,550 YOU'RE VERY BRAVE. 58 00:03:39,550 --> 00:03:43,994 HMM, I WISH THAT WERE TRUE, FATHER. 59 00:03:48,459 --> 00:03:53,304 DID YOU KNOW I USED TO BE A NURSE IN THIS HOSPITAL? 60 00:03:53,304 --> 00:03:56,607 YES. YOU JUST RETIRED A FEW YEARS AGO, RIGHT? 61 00:03:56,607 --> 00:04:01,342 I DIDN'T RETIRE. I QUIT OUT OF GUILT. 62 00:04:01,342 --> 00:04:03,774 WHAT DO YOU MEAN? 63 00:04:03,774 --> 00:04:06,947 I DID SOMETHING AWFUL. 64 00:04:06,947 --> 00:04:10,321 DO YOU WANT TO TAKE CONFESSION? 65 00:04:10,321 --> 00:04:14,024 NO. CONFESSIONS ARE PRIVATE, 66 00:04:14,024 --> 00:04:16,727 AND THE PEOPLE WHO RUN THIS HOSPITAL 67 00:04:16,727 --> 00:04:18,789 NEED TO KNOW WHAT I DID... 68 00:04:18,789 --> 00:04:24,264 BECAUSE THEY HAVE TO MAKE IT RIGHT. 69 00:04:24,264 --> 00:04:25,566 (elevator bell dings) 70 00:04:25,566 --> 00:04:28,268 (telephone ringing) 71 00:04:28,268 --> 00:04:29,970 (sighs) OH! EXCUSE ME. 72 00:04:29,970 --> 00:04:32,543 I NEED TO SEE NICK BOLEN. WHAT ROOM IS HE IN? 73 00:04:32,543 --> 00:04:34,044 OH, I'M SORRY. 74 00:04:34,044 --> 00:04:36,407 VISITING HOURS DON'T START UNTIL 9:00. 75 00:04:36,407 --> 00:04:38,979 OKAY, BUT THIS IS AN EMERGENCY. 76 00:04:38,979 --> 00:04:41,452 MA'AM, HE JUST CAME IN OUT OF A COMA. 77 00:04:41,452 --> 00:04:44,685 UNLESS YOU'RE IMMEDIATE FAMILY, YOU NEED TO COME BACK AT 9:00. 78 00:04:44,685 --> 00:04:45,986 OKAY, I GET IT. 79 00:04:45,986 --> 00:04:47,988 YOU'RE JUST FOLLOWING THE RULES. 80 00:04:47,988 --> 00:04:52,593 YOU'RE A NURSE--AN UNDERPAID, UNDERAPPRECIATED NURSE 81 00:04:52,593 --> 00:04:56,397 WHO MIGHT NEED SOME HELP MAKING ENDS MEET. 82 00:04:56,397 --> 00:05:01,332 SO WHAT DO YOU SAY TO-- AHEM--$12? 83 00:05:03,574 --> 00:05:06,607 OH, WAIT. I'M GONNA NEED $10 FOR PARKING. 84 00:05:06,607 --> 00:05:08,379 MA'AM. 85 00:05:08,379 --> 00:05:11,011 (sighs) HOW ABOUT GUM? DO YOU LIKE GUM? 86 00:05:11,011 --> 00:05:12,713 COME BACK LATER. 87 00:05:12,713 --> 00:05:14,084 (sighs) 88 00:05:16,717 --> 00:05:20,621 HEY, LORNA, DR. BURKE NEEDS YOU IN RADIOLOGY. 89 00:05:20,621 --> 00:05:23,023 THANKS. 90 00:05:23,023 --> 00:05:26,026 (woman speaking indistinctly over P.A.) 91 00:05:32,603 --> 00:05:35,035 (imitates New York accent) HEY! YOU WITH THE PONYTAIL. 92 00:05:35,035 --> 00:05:37,668 I GOTTA SEE NICK BOLEN. ARE YOU FAMILY? 93 00:05:37,668 --> 00:05:39,840 FUGGEDABOUTIT. I'M HIS WIFE ANGIE. 94 00:05:39,840 --> 00:05:43,343 REALLY? WELL, THEN WHO'S THAT BLONDE LADY WHO'S BEEN HERE? 95 00:05:43,343 --> 00:05:46,947 HIS WHORE?! SHE WAS HERE? OH, I'M HAVING HER WHACKED! 96 00:05:46,947 --> 00:05:48,919 OH, NO! I COULD BE WRONG. 97 00:05:48,919 --> 00:05:50,951 MAYBE I SHOULD GET MY SUPERVISOR. 98 00:05:50,951 --> 00:05:52,953 DO I LOOK LIKE I GOT TIME FOR SUPERVISORS? 99 00:05:52,953 --> 00:05:55,956 I GOT SAUCE ON THE STOVE, ZITI IN THE OVEN 100 00:05:55,956 --> 00:05:58,959 AND A MUSTACHE THAT NEEDS TO GET BLEACHED. LET'S GO! 101 00:05:58,959 --> 00:06:00,931 COME ON! LET'S GO! 102 00:06:08,469 --> 00:06:09,840 THANK YOU. 103 00:06:09,840 --> 00:06:11,802 (chuckles) W-WOW. 104 00:06:11,802 --> 00:06:15,375 DID WE--DID WE GET HAMMERED LAST NIGHT OR WHAT? 105 00:06:15,375 --> 00:06:17,047 NO, YOU GOT HAMMERED. 106 00:06:17,047 --> 00:06:20,551 PRES AND I JUST FOLLOWED YOU AROUND APOLOGIZING TO EVERYONE. 107 00:06:20,551 --> 00:06:22,913 MM, ANOTHER THING WE WON'T BE TELLING YOUR MOM. 108 00:06:22,913 --> 00:06:25,916 HEY, DO YOU THINK I WOKE HER UP WHEN I CAME IN? 109 00:06:25,916 --> 00:06:27,918 WHEN YOU CAME IN? YEAH. 110 00:06:27,918 --> 00:06:30,120 NO. WHEN YOU JUMPED UP ON THE COFFEE TABLE 111 00:06:30,120 --> 00:06:31,822 AND SANG "MARGARITAVILLE"? MAYBE. (door opens and closes) 112 00:06:31,822 --> 00:06:35,596 GUYS. I JUST CHECKED ON MOM, AND SHE'S NOT THERE, 113 00:06:35,596 --> 00:06:38,829 AND THE BED LOOKS LIKE IT HASN'T BEEN SLEPT IN. 114 00:06:38,829 --> 00:06:40,831 OH, GOD. SHE DID HEAR ME. 115 00:06:40,831 --> 00:06:44,505 OH, SHE MUST HAVE STORMED OUT OF HERE FIRST THING. 116 00:06:44,505 --> 00:06:47,177 BUT WHY DIDN'T SHE WAKE YOU UP AND YELL AT YOU? 117 00:06:47,177 --> 00:06:48,879 HAVE I BEEN STABBED? 118 00:06:52,843 --> 00:06:56,016 YOU'RE BACK. WHAT HAPPENED WITH SAM? 119 00:06:56,016 --> 00:06:59,850 AND DID YOU TELL HIM HIS SERVICES WERE NO LONGER NEEDED? 120 00:06:59,850 --> 00:07:03,093 I TRIED TO. HE RESPONDED BY BLACKMAILING ME. 121 00:07:03,093 --> 00:07:04,955 WHAT? 122 00:07:04,955 --> 00:07:08,098 HE KNOWS WHAT HAPPENED TO MRS. SOLIS. 123 00:07:11,061 --> 00:07:13,764 GABY. WHAT DOES SHE HAVE TO DO WITH THIS? 124 00:07:13,764 --> 00:07:16,066 I'M TALKING ABOUT CARLOS' MOTHER. 125 00:07:16,066 --> 00:07:18,138 WHAT HAPPENED TO CARLOS' MOTHER? 126 00:07:18,138 --> 00:07:22,012 TEN YEARS AGO, SHE DIED AFTER BEING HIT BY A CAR 127 00:07:22,012 --> 00:07:24,014 THAT ANDREW WAS DRIVING. 128 00:07:24,014 --> 00:07:26,076 OH, MY GOD. 129 00:07:26,076 --> 00:07:29,219 HOW DID HE FIND OUT? DANIELLE TOLD HIM. 130 00:07:29,219 --> 00:07:31,121 WHAT? WHY? I DON'T KNOW. 131 00:07:31,121 --> 00:07:34,525 I THINK IT WAS SOME IDIOTIC ATTEMPT TO BOND WITH HIM. 132 00:07:34,525 --> 00:07:35,986 WAIT A MINUTE. 133 00:07:35,986 --> 00:07:38,729 YOU NEVER TOLD CARLOS AND GABY? 134 00:07:38,729 --> 00:07:41,061 OF COURSE NOT. THAT WOULD HAVE DESTROYED THE FRIENDSHIP, 135 00:07:41,061 --> 00:07:44,464 NOT TO MENTION CARLOS WOULD HAVE SENT ANDREW TO JAIL. 136 00:07:44,464 --> 00:07:46,897 SO WHAT DOES SAM WANT? 137 00:07:46,897 --> 00:07:50,100 MY COMPANY, AND I'M GOING TO GIVE IT TO HIM. 138 00:07:50,100 --> 00:07:52,903 ARE YOU CRAZY? IF I DON'T, HE'LL GO TO THE POLICE. 139 00:07:52,903 --> 00:07:54,775 LET HIM. ANDREW! 140 00:07:54,775 --> 00:07:57,778 MOM, I'M NOT LETTING YOU GIVE UP EVERYTHING YOU'VE WORKED FOR 141 00:07:57,778 --> 00:08:00,751 JUST 'CAUSE THAT PSYCHO THINKS HE HAS SOMETHING OVER ON US. THEY WILL SEND YOU TO PRISON. 142 00:08:00,751 --> 00:08:03,714 WELL, MAYBE IT'S TIME I PAID FOR WHAT I'VE DONE. ABSOLUTELY NOT. 143 00:08:03,714 --> 00:08:06,717 BREE, YOU CAN'T GIVE IN TO BLACKMAIL. IT'S NOT RIGHT. 144 00:08:06,717 --> 00:08:09,089 AND IF ANDREW WANTS TO TAKE RESPONSIBILITY-- 145 00:08:09,089 --> 00:08:12,923 ORSON, THIS IS REALLY JUST BETWEEN ME AND MY SON. 146 00:08:14,995 --> 00:08:16,226 WOULD YOU MIND? 147 00:08:16,226 --> 00:08:19,570 OF COURSE NOT. 148 00:08:24,234 --> 00:08:27,137 (inhales and exhales deeply) 149 00:08:27,137 --> 00:08:28,639 (spits) 150 00:08:28,639 --> 00:08:32,212 (monitor beeping steadily) 151 00:08:32,212 --> 00:08:33,914 WHAT'S GOING ON? 152 00:08:33,914 --> 00:08:36,687 W-WHY AM I WET? 153 00:08:36,687 --> 00:08:38,549 BEATS ME. I'M NOT A DOCTOR. 154 00:08:38,549 --> 00:08:42,022 (clatter) GABY, WHAT ARE YOU DOIN' HERE? 155 00:08:42,022 --> 00:08:45,025 ANGIE'S IN TROUBLE. LOOK, SHE WROTE ME THIS NOTE. 156 00:08:45,025 --> 00:08:48,659 "DANNY AND I HELD HOSTAGE. NO COPS. GET NICK." 157 00:08:48,659 --> 00:08:50,300 I DON'T UNDERSTAND. 158 00:08:50,300 --> 00:08:54,004 THERE WAS A GUY WITH HER. HE SAID HE WAS HER BROTHER. 159 00:08:54,004 --> 00:08:56,236 SHE DOESN'T HAVE A BROTHER. 160 00:08:56,236 --> 00:08:58,038 IS IT PATRICK LOGAN? 161 00:08:59,710 --> 00:09:01,271 YOU KNOW ABOUT PATRICK? 162 00:09:01,271 --> 00:09:03,113 SHE TOLD ME EVERYTHING. 163 00:09:03,113 --> 00:09:05,916 WHOA, WHOA, WHAT ARE YOU DOING? 164 00:09:05,916 --> 00:09:08,118 (grunts) I GOTTA GET HIM OUTTA THERE. 165 00:09:08,118 --> 00:09:10,220 WAIT. ARE YOU CRAZY? IN YOUR CONDITION? 166 00:09:10,220 --> 00:09:12,222 WHY CAN'T WE JUST CALL THE COPS? 167 00:09:12,222 --> 00:09:14,224 BECAUSE THE SECOND PATRICK FEELS CORNERED, 168 00:09:14,224 --> 00:09:16,226 ANGIE AND DANNY ARE DEAD. 169 00:09:16,226 --> 00:09:19,760 (sighs) OH, MY GOD. 170 00:09:19,760 --> 00:09:22,232 ARE YOU GONNA BE ALL RIGHT? 171 00:09:22,232 --> 00:09:24,564 NO. YOU'RE GONNA HAVE TO DRIVE ME 172 00:09:24,564 --> 00:09:27,067 TO HELP ME GET HIM OUTTA THERE. OKAY. 173 00:09:27,067 --> 00:09:29,940 I KNOW. I'M SORRY. I'M PUTTING YOU IN A DANGEROUS POSITION. 174 00:09:29,940 --> 00:09:33,774 (imitating New York accent) FUGGEDABOUTIT. 175 00:09:37,077 --> 00:09:38,779 SO YOU'RE DONE? 176 00:09:38,779 --> 00:09:40,811 YES. 177 00:09:43,183 --> 00:09:45,185 WHEN YOU PUSH THE DETONATOR, 178 00:09:45,185 --> 00:09:47,187 YOU GOT 30 SECONDS TILL IT BLOWS. 179 00:09:50,290 --> 00:09:53,964 YOU GOT WHAT YOU WANTED. YOU GONNA LET US GO NOW? 180 00:09:53,964 --> 00:09:59,770 NOT YET. YOU'RE COMING WITH ME TO OREGON. 181 00:09:59,770 --> 00:10:02,072 YOU DIDN'T SAY ANYTHING ABOUT THAT. 182 00:10:02,072 --> 00:10:03,333 ANGE... 183 00:10:03,333 --> 00:10:05,936 WHAT IF THE BOMB'S A DUD? 184 00:10:05,936 --> 00:10:09,179 I MEAN, YOU DID RUN OFF WITH ANOTHER MAN AND TAKE MY SON. 185 00:10:09,179 --> 00:10:12,082 I'VE GOT SOME TRUST ISSUES. 186 00:10:12,082 --> 00:10:15,215 WILL YOU AT LEAST LET DANNY GO? 187 00:10:15,215 --> 00:10:20,390 NO. SEE, IF THE BOMB DOESN'T GO OFF, 188 00:10:20,390 --> 00:10:23,053 I'LL PUT A BULLET IN YOUR HEAD 189 00:10:23,053 --> 00:10:25,926 AND THEN COME BACK AND KILL HIM. 190 00:10:30,030 --> 00:10:32,803 SO... 191 00:10:32,803 --> 00:10:35,966 YOU SURE YOU'RE DONE? 192 00:10:38,208 --> 00:10:42,072 I GUESS I COULD TAKE ANOTHER LOOK. 193 00:10:50,150 --> 00:10:53,223 (indistinct conversations) 194 00:10:53,223 --> 00:10:55,655 MY GRANDSON'S VISITING. HE'LL LOVE THIS. 195 00:10:55,655 --> 00:10:56,887 AW. 196 00:10:56,887 --> 00:10:58,889 HOW ABOUT WE GIVE YOU 100 BUCKS? 197 00:10:58,889 --> 00:11:01,331 LOOK AT THE PRICE TAG. 50 CENTS. 198 00:11:01,331 --> 00:11:03,333 PLEASE, SUSAN. LET US HELP YOU. 199 00:11:03,333 --> 00:11:06,036 I DON'T NEED MY ARTHRITIS MEDICATION THIS MONTH. 200 00:11:06,036 --> 00:11:08,098 LOOK, I CAN ALMOST MAKE A FIST. 201 00:11:08,098 --> 00:11:12,242 THANK YOU, BUT WE'RE NOT LOOKING FOR A HANDOUT. JUST A HAND. 202 00:11:12,242 --> 00:11:14,404 HEY, I JUST GOT OFF THE PHONE WITH LEE. 203 00:11:14,404 --> 00:11:17,047 HE THINKS HE MIGHT HAVE FOUND A RENTER. ALREADY? 204 00:11:17,047 --> 00:11:19,079 WELL, THAT'S A GOOD THING, ISN'T IT? 205 00:11:19,079 --> 00:11:20,380 YEAH, YEAH. IT'S GREAT. 206 00:11:20,380 --> 00:11:22,913 STRANGER LIVING IN MY HOUSE-- YIPPEE! 207 00:11:22,913 --> 00:11:27,057 HEY, SUSAN, HOW MUCH FOR THIS DINING ROOM SET? 208 00:11:27,057 --> 00:11:30,761 I PAID $1,200 A YEAR AGO. YOU CAN HAVE IT FOR $300. 209 00:11:30,761 --> 00:11:34,194 I'LL GIVE YOU 50 BUCKS. 210 00:11:34,194 --> 00:11:37,067 I THOUGHT YOU WEREN'T LOOKING FOR A HANDOUT, JUST A HAND. 211 00:11:37,067 --> 00:11:39,099 THAT'S NOT A HAND. THAT'S A FINGER. 212 00:11:39,099 --> 00:11:44,134 SUSAN, I'M NOT NEIGHBOR KINSKY RIGHT NOW. I'M BUSINESS KINSKY. 213 00:11:44,134 --> 00:11:45,435 SO I'M GONNA BE FRANK. 214 00:11:45,435 --> 00:11:48,138 YOU DON'T HAVE A POT TO PEE-PEE IN RIGHT NOW, 215 00:11:48,138 --> 00:11:50,841 AND OUR NEIGHBORHOOD KNOWS IT. WHAT'S IT GONNA BE? 216 00:11:50,841 --> 00:11:54,084 JEEZ, KINSKY. HAVE A HEART. THE WOMAN NEEDS THE MONEY. 217 00:11:54,084 --> 00:11:56,917 OH, KEEP OUT OF IT, McCLUSKEY. YOU KNOW THE YARD SALE GAME. 218 00:11:56,917 --> 00:11:59,289 IF YOU LOST THE STOMACH FOR IT, WALK AWAY. 219 00:11:59,289 --> 00:12:02,192 NO, MITZI. YOU WALK AWAY. 220 00:12:02,192 --> 00:12:03,223 EXCUSE ME? 221 00:12:03,223 --> 00:12:05,225 YOU'RE NOTHING BUT A VULTURE. 222 00:12:05,225 --> 00:12:08,058 I WANT YOU OFF MY PROPERTY. 223 00:12:10,060 --> 00:12:12,162 HEY, LOOKIE HERE. 224 00:12:12,162 --> 00:12:16,066 I'M ON A PUBLIC SIDEWALK. NOW WHAT YOU GONNA DO? 225 00:12:18,238 --> 00:12:22,412 MITZI, I AM NOT "NEIGHBOR" DELFINO. 226 00:12:22,412 --> 00:12:25,115 I AM "WOMAN WHO'S ABOUT TO MOVE INTO AN APARTMENT 227 00:12:25,115 --> 00:12:27,117 BEHIND A GAS STATION" DELFINO, 228 00:12:27,117 --> 00:12:29,419 AND IF YOU DON'T GET OUT OF MY FACE, 229 00:12:29,419 --> 00:12:32,222 I AM GONNA RAM THIS THIGH MASTER DOWN YOUR THROAT. 230 00:12:32,222 --> 00:12:35,856 FINE. $300. 231 00:12:35,856 --> 00:12:37,928 SOLD. 232 00:12:45,065 --> 00:12:46,296 (Lynette moaning) 233 00:12:46,296 --> 00:12:48,999 I FOUND SOME ASPIRIN. WILL THAT HELP? 234 00:12:48,999 --> 00:12:53,944 THIS ISN'T A HEADACHE. THESE ARE CONTRACTIONS. 235 00:12:53,944 --> 00:12:56,847 I NEED YOU TO TAKE ME TO A HOSPITAL. 236 00:12:56,847 --> 00:12:59,409 NO, I C-- YOU'LL TELL SOMEONE ABOUT ME. 237 00:12:59,409 --> 00:13:02,412 EDDIE, I SWEAR TO GOD. I DON'T CARE ABOUT YOU RIGHT NOW. 238 00:13:02,412 --> 00:13:07,287 ALL I CARE ABOUT IS THIS BABY. PLEASE. 239 00:13:09,860 --> 00:13:12,162 PORTER, I FOUND HER. SHE'S AT EDDIE'S. 240 00:13:12,162 --> 00:13:14,164 IF I'M NOT BACK IN 15 MINUTES, 241 00:13:14,164 --> 00:13:16,867 IT MEANS SHE DID NOT ACCEPT MY APOLOGY, 242 00:13:16,867 --> 00:13:20,200 AND IT WAS FUN BEING YOUR DAD. (beep) 243 00:13:20,200 --> 00:13:24,134 OKAY. I'M TRUSTING YOU HERE. 244 00:13:24,134 --> 00:13:27,908 THANK YOU. YOU HAVE MY WORD. 245 00:13:27,908 --> 00:13:29,539 (knock on door) (Tom) EDDIE! IT'S TOM! 246 00:13:29,539 --> 00:13:31,111 (gasps) 247 00:13:31,111 --> 00:13:33,213 I NEED TO TALK TO HIM AGAIN. 248 00:13:33,213 --> 00:13:35,245 (grunts) (whispering) Quiet. 249 00:13:35,245 --> 00:13:39,419 HONEY! I CAN SEE YOUR CAR. I KNOW YOU'RE IN THERE. 250 00:13:39,419 --> 00:13:40,991 LYNETTE! 251 00:13:40,991 --> 00:13:44,024 (gasping) 252 00:13:46,556 --> 00:13:49,159 (groaning) 253 00:13:49,159 --> 00:13:51,031 (Tom) OKAY, I GET IT. 254 00:13:51,031 --> 00:13:53,033 YOU'RE GIVING ME THE SILENT TREATMENT. 255 00:13:53,033 --> 00:13:54,965 WELL, WHEN YOU COOL OFF, 256 00:13:54,965 --> 00:13:56,266 I WILL BE HOME 257 00:13:56,266 --> 00:14:00,170 WITH A GIGANTIC BOUQUET OF YOUR FAVORITE FLOWERS. 258 00:14:00,170 --> 00:14:04,244 (Lynette grunting) 259 00:14:04,244 --> 00:14:07,047 (muffled groaning) 260 00:14:07,047 --> 00:14:08,218 I'M SORRY. 261 00:14:08,218 --> 00:14:09,379 I'M SORRY. 262 00:14:09,379 --> 00:14:11,321 (panting and crying) 263 00:14:11,321 --> 00:14:13,353 I HAD TO DO THAT. 264 00:14:15,155 --> 00:14:17,187 I'LL TAKE YOU TO THE HOSPITAL NOW. 265 00:14:17,187 --> 00:14:22,432 IT'S TOO LATE. IT'S TOO LATE. THIS BABY IS COMING NOW. 266 00:14:22,432 --> 00:14:29,940 (exhales deeply) AND YOU HAVE TO HELP ME DELIVER IT. 267 00:14:39,649 --> 00:14:41,651 MR. CHASE, YOU GOT A MINUTE? 268 00:14:41,651 --> 00:14:43,313 OH, SURE, FATHER. COME ON IN. 269 00:14:43,313 --> 00:14:45,315 I JUST CAME FROM TERESA PRUITT'S BEDSIDE. 270 00:14:45,315 --> 00:14:47,587 SHE PASSED. 271 00:14:47,587 --> 00:14:50,961 I'M SORRY TO HEAR THAT. I, UH, I REMEMBER HER FONDLY. 272 00:14:50,961 --> 00:14:52,963 SHE WAS ONE OF MY BEST NURSES. 273 00:14:52,963 --> 00:14:57,127 BEFORE SHE DIED, SHE TOLD ME SOMETHING-- 274 00:14:57,127 --> 00:15:00,230 AN AWFUL SECRET THAT SHE'D BEEN LIVING WITH FOR YEARS. 275 00:15:00,230 --> 00:15:03,233 UH, FATHER, I'M, UH, I'M NOT TRYING TO TELL YOU 276 00:15:03,233 --> 00:15:05,235 HOW TO DO YOUR BUSINESS, 277 00:15:05,235 --> 00:15:07,938 BUT AREN'T THOSE THINGS SUPPOSED TO BE CONFIDENTIAL? 278 00:15:07,938 --> 00:15:09,940 SHE WANTED YOU TO HEAR THIS, 279 00:15:09,940 --> 00:15:12,182 BUT I THINK YOU SHOULD SIT DOWN FIRST. 280 00:15:16,416 --> 00:15:19,419 HEY, LADY, UNLESS YOU WANT TO BE CARRIED INTO THE TRUCK, 281 00:15:19,419 --> 00:15:21,451 YOU NEED TO GET OFF THAT CHAIR. 282 00:15:21,451 --> 00:15:24,624 I SEE. LIKE YOU'RE THE MOVER. FUNNY. 283 00:15:26,256 --> 00:15:29,399 HAVE YOU SEEN T-REX? 284 00:15:29,399 --> 00:15:31,401 THE DINOSAUR? WELL, CHECK IN THE BOXES. 285 00:15:31,401 --> 00:15:33,533 NO, HONEY. WE SOLD IT TO ROY. 286 00:15:33,533 --> 00:15:34,965 NO! 287 00:15:34,965 --> 00:15:36,566 YEAH. YOU PUT IT IN THE "SELL" PILE. 288 00:15:36,566 --> 00:15:38,408 WHAT'S A "SELL" PILE? 289 00:15:38,408 --> 00:15:40,470 UH-OH. 290 00:15:41,711 --> 00:15:43,343 I WANT MY T-REX. 291 00:15:43,343 --> 00:15:45,345 WELL, BUDDY, I'M SORRY. WE SOLD IT, 292 00:15:45,345 --> 00:15:47,517 SO THERE'S NO WAY WE CAN... WE'RE GETTING IT BACK. 293 00:15:47,517 --> 00:15:51,081 (under breath) WHAT ARE YOU DOING? (lowers voice) LOVING MY CHILD. 294 00:15:51,081 --> 00:15:53,623 THANK YOU, MOMMY. 295 00:15:53,623 --> 00:15:55,185 (sighs) 296 00:15:55,185 --> 00:15:58,188 SUSAN, I DON'T THINK YOU SHOULD HAVE PROMISED HIM THAT. 297 00:15:58,188 --> 00:15:59,990 ROY BOUGHT IT FOR HIS GRANDSON. 298 00:15:59,990 --> 00:16:01,992 IT'S BAD ENOUGH THAT WE ARE DRAGGING HIM 299 00:16:01,992 --> 00:16:04,995 FROM THE ONLY HOME HE HAS EVER LIVED IN, 300 00:16:04,995 --> 00:16:07,167 MOVING ACROSS TOWN WHERE HE DOESN'T KNOW A SINGLE SOUL. 301 00:16:07,167 --> 00:16:09,369 IF THAT SILLY DINOSAUR BRINGS HIM A MOMENT'S COMFORT, 302 00:16:09,369 --> 00:16:13,443 THEN WE NEED TO MARCH OVER THERE AND TAKE IT BACK. 303 00:16:13,443 --> 00:16:15,145 (sighs) 304 00:16:15,145 --> 00:16:17,147 WHAT THE HELL? WE'RE MOVING. 305 00:16:17,147 --> 00:16:19,449 LET'S GO PISS OFF SOME NEIGHBORS. 306 00:16:19,449 --> 00:16:20,980 (sighs) 307 00:16:23,483 --> 00:16:26,216 AND SOMEHOW THE DINOSAUR GOT INTO THE PILE, 308 00:16:26,216 --> 00:16:28,718 AND NOW M.J. IS BEGGING US TO GET IT BACK. 309 00:16:28,718 --> 00:16:30,190 SORRY FOR THE CONFUSION, ROY. 310 00:16:30,190 --> 00:16:32,162 NO, I GET IT. IT'S JUST... 311 00:16:32,162 --> 00:16:35,165 I ALREADY GAVE IT TO MY GRANDSON. 312 00:16:35,165 --> 00:16:39,569 AW, I REMEMBER WHEN WE GAVE IT TO M.J... 313 00:16:39,569 --> 00:16:42,232 RIGHT AFTER HIS PUPPY DIED. 314 00:16:42,232 --> 00:16:43,573 OKAY, OKAY. 315 00:16:43,573 --> 00:16:47,707 LET'S GO GET IT BEFORE YOU TAKE OUT YOUR VIOLIN. 316 00:16:49,679 --> 00:16:52,182 I GUESS THE EXCITEMENT OF GETTING A NEW FRIEND 317 00:16:52,182 --> 00:16:54,013 WORE HIM OUT. 318 00:16:54,013 --> 00:16:56,646 I'LL WAKE HIM UP. OH, YOU DON'T HAVE TO DO THAT. 319 00:16:56,646 --> 00:16:59,649 WHY DON'T YOU JUST SLIP IT OUT OF HIS ARMS? 320 00:16:59,649 --> 00:17:02,052 AND WE'LL LEAVE A NOTE. A NOTE? 321 00:17:02,052 --> 00:17:05,024 AND CASH. MIKE, GIVE THE MAN SOME CASH. 322 00:17:05,024 --> 00:17:07,557 NO, WE'RE NOT TAKING MONEY. HE'S GOT TONS OF OTHER TOYS. 323 00:17:07,557 --> 00:17:10,160 HE'LL BE FINE. (grunts) 324 00:17:15,405 --> 00:17:18,338 (lowers voice) OH, GOD, HE'S DEAF. 325 00:17:18,338 --> 00:17:20,340 (grunts) 326 00:17:20,340 --> 00:17:22,212 SHOULDN'T WE STOP THIS? 327 00:17:23,573 --> 00:17:25,275 (grunts) 328 00:17:25,275 --> 00:17:29,179 (lowers voice) JUST LET IT PLAY OUT. 329 00:17:31,321 --> 00:17:34,284 (sighs) THERE YOU GO. 330 00:17:34,284 --> 00:17:36,286 YOU ARE NOW THE SOLE OWNER 331 00:17:36,286 --> 00:17:39,289 OF MRS. VAN DE KAMP'S OLD FASHIONED FOODS. 332 00:17:39,289 --> 00:17:42,292 OF COURSE, MY LAWYERS WILL HAVE TO APPROVE THIS. 333 00:17:42,292 --> 00:17:44,794 OF COURSE, AND YOU'LL SEE THERE'S A CODICIL. 334 00:17:44,794 --> 00:17:46,796 IF YOU BREATHE ONE WORD 335 00:17:46,796 --> 00:17:48,798 OF ANDREW'S INVOLVEMENT IN THAT INCIDENT, 336 00:17:48,798 --> 00:17:52,302 YOU'LL BE FORCED TO PAY ME ALL SORTS OF MONEY. 337 00:17:52,302 --> 00:17:54,704 DON'T WORRY. I'M MUCH BETTER AT KEEPING SECRETS 338 00:17:54,704 --> 00:17:56,206 THAN YOUR DAUGHTER. 339 00:17:56,206 --> 00:17:58,548 ONE CAN ONLY HOPE. 340 00:17:58,548 --> 00:18:03,613 I DIDN'T WANT IT TO BE THIS WAY. 341 00:18:03,613 --> 00:18:09,319 AND I UNDERSTAND IF YOU NEED TO HATE ME. 342 00:18:10,790 --> 00:18:15,395 I DON'T HATE YOU, SAM. I FEEL SORRY FOR YOU. 343 00:18:15,395 --> 00:18:17,797 YOU CAME INTO MY LIFE HOPING 344 00:18:17,797 --> 00:18:20,800 TO BE A PART OF MY FAMILY, AND ALL YOU'RE LEAVING WITH 345 00:18:20,800 --> 00:18:24,304 IS A CLIENT LIST, SOME MIXING BOWLS AND MY NAME. 346 00:18:24,304 --> 00:18:27,437 WELL, YOU'LL SOON SEE THAT'S NOT ENOUGH. 347 00:18:27,437 --> 00:18:30,140 YOU'LL ALWAYS HAVE A HOLE IN YOUR HEART 348 00:18:30,140 --> 00:18:32,442 BECAUSE YOU DON'T REALLY CARE ABOUT ANYBODY, 349 00:18:32,442 --> 00:18:34,444 AND I HAVE A HORRIBLE FEELING 350 00:18:34,444 --> 00:18:38,248 THAT NO ONE WILL EVER REALLY CARE ABOUT YOU. 351 00:18:41,251 --> 00:18:43,553 NOW WOULD YOU PLEASE BE A DEAR 352 00:18:43,553 --> 00:18:48,758 AND CLOSE THE DOOR ON YOUR WAY OUT OF MY LIFE? 353 00:18:53,563 --> 00:18:56,266 SO I'M GONNA PUT THE BOMB IN THE TRUNK, 354 00:18:56,266 --> 00:19:00,740 AND THAT'S HOW LONG YOU HAVE TO SAY GOOD-BYE TO OUR SON. 355 00:19:22,932 --> 00:19:26,165 YOU CAN'T GO WITH HIM. HE'S NEVER GONNA LET YOU COME BACK. 356 00:19:26,165 --> 00:19:28,468 I DON'T KNOW HOW THIS IS GONNA PLAY OUT, 357 00:19:28,468 --> 00:19:30,470 BUT WHATEVER HAPPENS, YOU GOTTA KNOW, 358 00:19:30,470 --> 00:19:33,273 THAT I WAS OUT OF CHOICES. 359 00:19:33,273 --> 00:19:35,875 OKAY, ANGE. CAR'S LOADED. 360 00:19:37,307 --> 00:19:38,808 COME ON. 361 00:19:40,310 --> 00:19:43,383 WE GOT A BOMB TO EXPLODE. 362 00:19:43,383 --> 00:19:46,286 OKAY, OKAY. I GOTTA PUSH AGAIN. 363 00:19:46,286 --> 00:19:49,389 NO, YOU HAVE TO LOOK. 364 00:19:49,389 --> 00:19:52,922 BUT IT'S SO GROSS! I DON'T CARE. YOU'RE GOING TO TO HAVE TO CATCH HER. GO. 365 00:19:52,922 --> 00:19:59,299 (groaning) 366 00:19:59,299 --> 00:20:02,572 I SEE SOMETHING! I THINK IT'S THE HEAD! 367 00:20:02,572 --> 00:20:03,903 AAH! 368 00:20:03,903 --> 00:20:05,875 WAIT. THERE'S SOMETHING AROUND HER NECK! 369 00:20:05,875 --> 00:20:07,877 (panting) 370 00:20:07,877 --> 00:20:10,240 WHAT? 371 00:20:10,240 --> 00:20:13,243 I THINK IT'S THE UMBILICAL CORD. 372 00:20:13,243 --> 00:20:15,345 NO! NO! 373 00:20:15,345 --> 00:20:17,287 SHE'S TURNING BLUE. 374 00:20:17,287 --> 00:20:20,990 OKAY. OKAY. UM... 375 00:20:20,990 --> 00:20:22,992 LISTEN TO ME. 376 00:20:22,992 --> 00:20:24,994 YOU HAVE TO... HOOK THE UMBILICAL CORD 377 00:20:24,994 --> 00:20:27,627 WITH YOUR FINGER AND PULL IT OVER HER HEAD. 378 00:20:27,627 --> 00:20:29,759 NO, I CAN'T. YOU HAVE TO! 379 00:20:29,759 --> 00:20:31,601 NO, MRS. SCAVO, I'M SERIOUS! 380 00:20:31,601 --> 00:20:33,303 LISTEN TO ME. 381 00:20:33,303 --> 00:20:37,837 YOU HAVE THE CHANCE TO SAVE... A LIFE. 382 00:20:37,837 --> 00:20:39,309 (panting) 383 00:20:39,309 --> 00:20:41,341 PLEASE! 384 00:20:41,341 --> 00:20:45,315 (panting) 385 00:20:45,315 --> 00:20:48,778 OKAY. (continues panting) 386 00:20:48,778 --> 00:20:51,451 OH, OH, IS IT DONE? 387 00:20:51,451 --> 00:20:53,323 YEAH. I GOT HER. 388 00:20:53,323 --> 00:20:54,824 YES! YES! YES. 389 00:20:54,824 --> 00:20:56,786 (grunts) 390 00:20:59,729 --> 00:21:01,391 (gasps) 391 00:21:01,391 --> 00:21:03,293 (crying) 392 00:21:03,293 --> 00:21:05,665 (gasps) SHE'S OKAY? 393 00:21:05,665 --> 00:21:07,437 (crying continues) 394 00:21:07,437 --> 00:21:08,968 OH! 395 00:21:08,968 --> 00:21:11,601 AHH! 396 00:21:14,374 --> 00:21:15,905 THANK YOU. 397 00:21:15,905 --> 00:21:18,277 (baby crying) 398 00:21:18,277 --> 00:21:19,449 I KNOW. 399 00:21:19,449 --> 00:21:21,311 (crying) 400 00:21:31,821 --> 00:21:33,563 WHERE IS HE? 401 00:21:33,563 --> 00:21:37,627 I'M SORRY, SWEETIE. T-REX IS EXTINCT. 402 00:21:37,627 --> 00:21:41,571 YEAH, BUDDY. I'M SORRY WE COULDN'T GET HIM BACK FOR YA. 403 00:21:41,571 --> 00:21:44,874 BUT HE'S MINE. THAT'S NOT FAIR. 404 00:21:44,874 --> 00:21:47,437 M.J... 405 00:21:47,437 --> 00:21:50,480 THAT'S LIFE. LIFE ISN'T ALWAYS FAIR. 406 00:21:50,480 --> 00:21:52,842 SOMETIMES YOU CAN BE A GOOD PERSON 407 00:21:52,842 --> 00:21:54,844 AND YOU CAN DO THE RIGHT THING, 408 00:21:54,844 --> 00:21:57,747 AND LIFE STILL WON'T GIVE YOU YOUR DINOSAUR BACK. 409 00:22:01,090 --> 00:22:02,722 IN OTHER WORDS, 410 00:22:02,722 --> 00:22:04,724 WE'RE GONNA TAKE YOU TO PIZZA WORLD, 411 00:22:04,724 --> 00:22:07,457 AND YOU CAN PLAY ALL THE VIDEO GAMES YOU WANT. 412 00:22:07,457 --> 00:22:08,928 OKAY. 413 00:22:17,537 --> 00:22:20,440 SUSAN, LIFE DIDN'T TAKE YOUR DINOSAUR. 414 00:22:20,440 --> 00:22:22,472 I DID. 415 00:22:22,472 --> 00:22:25,014 SO PLEASE, JUST LET ME HAVE IT. 416 00:22:25,014 --> 00:22:28,818 OKAY. YEAH. 417 00:22:28,818 --> 00:22:30,480 I RESENT YOU. 418 00:22:30,480 --> 00:22:33,823 I LOVE YOU, I RESPECT YOU, BUT YOU KNOW WHAT? 419 00:22:33,823 --> 00:22:36,526 I MEAN, YOU BLEW IT! AND THANKS TO YOU, 420 00:22:36,526 --> 00:22:40,359 I HAVE TO LEAVE THE HOME WHERE I RAISED MY CHILDREN. LOOK. 421 00:22:40,359 --> 00:22:43,362 LOOK, THIS-- THIS IS HOW TALL JULIE WAS 422 00:22:43,362 --> 00:22:44,664 WHEN SHE STARTED KINDERGARTEN. 423 00:22:44,664 --> 00:22:47,467 AND--AND THIS IS HER IN JUNIOR HIGH. 424 00:22:47,467 --> 00:22:48,768 AND THIS IS M.J. 425 00:22:48,768 --> 00:22:51,771 THE DAY WE BROUGHT HIM HOME FROM THE HOSPITAL AND STOOD HIM UP. 426 00:22:51,771 --> 00:22:55,805 AND THIS... THIS IS WHERE I THOUGHT HE'D GET TO. 427 00:22:55,805 --> 00:22:57,807 HERE. 428 00:22:57,807 --> 00:22:59,108 IN THIS HOUSE... 429 00:23:02,812 --> 00:23:06,486 AND NOW I'M NEVER GONNA KNOW, AND IT'S ALL YOUR FAULT. 430 00:23:08,718 --> 00:23:10,860 (crying) 431 00:23:10,860 --> 00:23:15,625 (sighs) THERE IT IS. 432 00:23:15,625 --> 00:23:18,127 HEY. 433 00:23:18,127 --> 00:23:20,129 WE'RE GONNA GET IT BACK. 434 00:23:20,129 --> 00:23:21,671 (sniffles) 435 00:23:25,134 --> 00:23:26,836 I PROMISE. 436 00:23:29,178 --> 00:23:31,611 AND IN THE MEANTIME... (clank) 437 00:23:36,185 --> 00:23:37,887 (gasps) 438 00:23:37,887 --> 00:23:42,452 (laughs) 439 00:23:48,598 --> 00:23:49,999 (slurping) 440 00:23:49,999 --> 00:23:52,602 WELL... THAT'S DONE. 441 00:23:52,602 --> 00:23:54,834 IT'S SAM'S COMPANY NOW. 442 00:23:54,834 --> 00:23:56,165 SO YOU DID IT. 443 00:23:56,165 --> 00:24:00,470 YOU ACTUALLY GAVE UP A BUSINESS YOU SPENT EIGHT YEARS BUILDING. 444 00:24:00,470 --> 00:24:02,472 WHAT OTHER CHOICE DID I HAVE? 445 00:24:02,472 --> 00:24:04,474 I CAN ALWAYS START A NEW COMPANY. 446 00:24:04,474 --> 00:24:08,678 WHAT I CANNOT DO IS SEND MY SON TO JAIL. 447 00:24:08,678 --> 00:24:11,681 YOU SENT ME TO JAIL. 448 00:24:11,681 --> 00:24:13,683 YOU INSISTED I TURN MYSELF IN. 449 00:24:13,683 --> 00:24:16,856 YOU SAID IT WAS THE ONLY WAY YOU'D TAKE ME BACK. 450 00:24:16,856 --> 00:24:20,189 THAT WAS A COMPLETELY DIFFERENT SITUATION. 451 00:24:20,189 --> 00:24:21,160 (cup clatters) 452 00:24:21,160 --> 00:24:23,533 REALLY? 453 00:24:23,533 --> 00:24:25,535 I RAN OVER MIKE AND TOLD NO ONE. 454 00:24:25,535 --> 00:24:28,037 ANDREW RAN OVER CARLOS' MOTHER AND TOLD NO ONE. 455 00:24:28,037 --> 00:24:29,639 HOW IS THAT DIFFERENT? 456 00:24:29,639 --> 00:24:33,142 ANDREW WAS A CHILD AT THE TIME. 457 00:24:33,142 --> 00:24:34,844 HE'S NOT ANYMORE. 458 00:24:34,844 --> 00:24:37,476 ORSON, PLEASE. 459 00:24:37,476 --> 00:24:39,478 I DON'T MEAN TO UPSET YOU. 460 00:24:39,478 --> 00:24:40,980 I'M JUST CURIOUS WHY 461 00:24:40,980 --> 00:24:43,983 YOU'RE NOT DEMANDING ANDREW DO THE SAME THING AS WELL. 462 00:24:43,983 --> 00:24:45,484 FINE. I WAS WRONG. 463 00:24:45,484 --> 00:24:48,217 I NEVER SHOULD HAVE ASKED YOU TO MAKE THAT SACRIFICE. 464 00:24:48,217 --> 00:24:50,219 I DON'T WANT AN APOLOGY. 465 00:24:50,219 --> 00:24:55,825 I RESPECTED YOU FOR DEMANDING BETTER OF ME. 466 00:24:55,825 --> 00:24:58,668 YOU SHOWED ME YOU HAD PRINCIPLES AND IDEALS. 467 00:24:58,668 --> 00:25:01,170 YOU INSISTED I LIVE UP TO YOUR STANDARDS, 468 00:25:01,170 --> 00:25:03,673 AND I LOVED YOU FOR IT. 469 00:25:03,673 --> 00:25:05,905 WHAT ARE YOU SAYING? 470 00:25:05,905 --> 00:25:08,908 FROM THE MOMENT YOU TOLD ME WHAT ANDREW HAD DONE 471 00:25:08,908 --> 00:25:12,111 AND WHAT SAM WAS THREATENING TO DO, I SAW THIS AS A TEST, 472 00:25:12,111 --> 00:25:15,114 AND I HOPED WORTH ALL MY HEART THAT YOU WOULD PASS IT, 473 00:25:15,114 --> 00:25:17,116 BUT YOU HAVE FAILED MISERABLY. 474 00:25:17,116 --> 00:25:18,618 WHERE ARE YOU GOING? 475 00:25:18,618 --> 00:25:21,190 PACK MY SUITCASE. I'M LEAVING. 476 00:25:21,190 --> 00:25:22,291 WHAT? 477 00:25:22,291 --> 00:25:25,625 YOU ARE NOT THE WOMAN I THOUGHT YOU WERE. 478 00:25:28,257 --> 00:25:31,000 FOR GOD SAKES, ORSON. 479 00:25:31,000 --> 00:25:33,903 HE'S MY SON. I HAVE NO CHOICE. 480 00:25:33,903 --> 00:25:37,006 WE ALWAYS HAVE A CHOICE, 481 00:25:37,006 --> 00:25:40,539 AND I NO LONGER CHOOSE TO BE YOUR HUSBAND. 482 00:25:49,619 --> 00:25:51,621 ALL RIGHT, I'M GONNA GO AROUND BACK, 483 00:25:51,621 --> 00:25:53,623 SEE IF I CAN CLIMB IN A WINDOW. 484 00:25:53,623 --> 00:25:56,586 YOU THINK YOU CAN KEEP PATRICK OCCUPIED FOR TEN MINUTES? 485 00:25:56,586 --> 00:25:58,688 HONEY, YOU'RE TALKING TO A WOMAN 486 00:25:58,688 --> 00:26:01,691 WHO NEVER PAID FOR A DRINK IN HER LIFE. PLEASE. 487 00:26:01,691 --> 00:26:03,963 OH, MAN. 488 00:26:03,963 --> 00:26:05,164 YOU OKAY? 489 00:26:05,164 --> 00:26:07,997 (groans) YEAH. JUST A LITTLE LIGHT-HEADED. 490 00:26:07,997 --> 00:26:09,999 JUST GIVE ME A SECOND. 491 00:26:11,871 --> 00:26:13,873 BY THE WAY, THANK YOU. 492 00:26:13,873 --> 00:26:16,646 I CAN'T BELIEVE YOU'RE HELPING US OUT LIKE THIS. 493 00:26:16,646 --> 00:26:18,648 I DON'T KNOW. I GUESS IT'S... 494 00:26:18,648 --> 00:26:21,110 I GUESS IT'S BECAUSE I KNOW WHAT IT'S LIKE 495 00:26:21,110 --> 00:26:22,612 TO HAVE SECRETS, TOO. 496 00:26:22,612 --> 00:26:25,715 IT'S A LONELY FEELING. 497 00:26:25,715 --> 00:26:30,119 AND THAT NIGHT ON THE PLANE WHEN ANGIE TOLD ME HERS, 498 00:26:30,119 --> 00:26:32,692 I PROMISED I WOULD HELP HER... 499 00:26:32,692 --> 00:26:34,994 WHATEVER IT TAKES. 500 00:26:38,968 --> 00:26:41,030 NICK? NICK. 501 00:26:41,030 --> 00:26:43,032 OH, MY GOD. DON'T PASS OUT. 502 00:26:43,032 --> 00:26:44,303 NICK! 503 00:26:44,303 --> 00:26:47,206 COME ON! I CAN'T DO THIS ALONE. 504 00:26:52,812 --> 00:26:55,284 SHE'S SO SMALL. 505 00:26:55,284 --> 00:26:59,248 NOT FOR LONG. THEY GROW UP SO QUICKLY. 506 00:26:59,248 --> 00:27:01,851 I WISH I COULD SEE HER GROW UP. 507 00:27:07,256 --> 00:27:10,700 SO... I'M GONNA GO NOW. 508 00:27:10,700 --> 00:27:13,162 IF YOU COULD JUST... 509 00:27:13,162 --> 00:27:17,937 WAIT A WHILE BEFORE YOU CALL THE POLICE. 510 00:27:17,937 --> 00:27:20,139 (zips bag) 511 00:27:22,742 --> 00:27:24,774 WAIT. 512 00:27:26,776 --> 00:27:28,778 THAT DAY YOU LEFT MY HOUSE, 513 00:27:28,778 --> 00:27:31,781 YOU TOLD ME YOUR LIFE WOULD HAVE TURNED OUT DIFFERENT 514 00:27:31,781 --> 00:27:33,953 IF I HAD BEEN YOUR MOM. 515 00:27:33,953 --> 00:27:37,286 SO I'M GONNA BE YOUR MOM... NOW. 516 00:27:37,286 --> 00:27:39,288 WILL YOU LISTEN TO ME? 517 00:27:42,191 --> 00:27:44,193 I DON'T THINK YOU SHOULD LEAVE. 518 00:27:44,193 --> 00:27:48,137 I THINK YOU SHOULD STAY HERE AND CALL THE POLICE. 519 00:27:48,137 --> 00:27:50,399 I CAN'T. 520 00:27:50,399 --> 00:27:52,802 YES, YOU CAN. 521 00:27:52,802 --> 00:27:55,404 I DON'T WANT TO SPEND THE REST OF MY LIFE IN JAIL. 522 00:27:55,404 --> 00:28:00,880 HONEY... DON'T YOU SEE YOU'RE ALREADY THERE? 523 00:28:00,880 --> 00:28:03,382 NO MATTER WHERE YOU RUN TO, IN YOUR HEAD, 524 00:28:03,382 --> 00:28:06,756 YOU WILL STILL BE ANGRY. 525 00:28:06,756 --> 00:28:09,458 YOU'LL STILL BE IN PAIN. 526 00:28:09,458 --> 00:28:12,421 AND AS LONG AS YOU WANT TO KEEP HURTING PEOPLE, 527 00:28:12,421 --> 00:28:14,423 YOU WILL NEVER BE FREE. 528 00:28:14,423 --> 00:28:17,266 I'LL BE GOOD. I SWEAR. 529 00:28:17,266 --> 00:28:20,229 BUT PEOPLE WILL NEVER SEE THAT YOU'RE GOOD 530 00:28:20,229 --> 00:28:23,272 UNLESS YOU SHOW THEM. 531 00:28:23,272 --> 00:28:27,937 PLEASE, IF YOU PICK UP THE PHONE, THEY WILL KNOW. 532 00:28:27,937 --> 00:28:31,280 AND I WILL BE SO PROUD OF YOU. 533 00:28:39,819 --> 00:28:42,221 (door closes) 534 00:28:42,221 --> 00:28:43,392 (sniffles) 535 00:28:51,360 --> 00:28:53,362 (voice breaking) WILL YOU CALL THEM FOR ME? 536 00:28:53,362 --> 00:28:56,335 OF COURSE. 537 00:29:04,013 --> 00:29:06,816 (baby fussing) 538 00:29:10,249 --> 00:29:12,521 WHY DON'T YOU HOLD THE BABY? 539 00:29:20,329 --> 00:29:22,832 (chuckles) 540 00:29:27,366 --> 00:29:32,241 (beeping) 541 00:29:32,241 --> 00:29:33,542 (phone ringing) 542 00:29:41,510 --> 00:29:43,212 HELLO. FAIRVIEW HOSPITAL? 543 00:29:43,212 --> 00:29:46,285 I NEED TO KNOW HOW TO BRING SOMEONE OUT OF A COMA. 544 00:29:46,285 --> 00:29:48,287 I'M NOT SURE IF IT'S A COMA. 545 00:29:48,287 --> 00:29:50,289 SOMEWHERE BETWEEN A COMA AND A NAP. 546 00:29:50,289 --> 00:29:52,291 HOW SHOULD I KNOW IF HE'S CLAMMY? 547 00:29:52,291 --> 00:29:55,264 I LEFT HIM IN THE CAR. (knock on door) 548 00:29:55,264 --> 00:29:57,126 GABY? 549 00:29:57,126 --> 00:29:59,098 HEY, SUSAN, WHAT'S UP? 550 00:29:59,098 --> 00:30:01,400 JUST CAME TO SAY GOOD-BYE. OKAY. ALL RIGHT. SEE YA. 551 00:30:01,400 --> 00:30:03,372 OH, NO. I MEAN, THIS IS IT. 552 00:30:03,372 --> 00:30:05,374 TOMORROW'S MOVING DAY, AND IT'S GONNA BE CRAZY, 553 00:30:05,374 --> 00:30:07,376 SO I DIDN'T WANT TO RUSH THROUGH OUR GOOD-BYES. 554 00:30:07,376 --> 00:30:11,010 OH, GOOD FOR YOU. I'LL CATCH YA WHEN I CATCH YA. 555 00:30:12,441 --> 00:30:16,485 HELLO? HELLO? DAMN IT! (beep) 556 00:30:16,485 --> 00:30:20,089 (sighs) 557 00:30:20,089 --> 00:30:22,922 OH! SUSAN! UH... 558 00:30:22,922 --> 00:30:25,925 I'M SORRY. I'M JUST SO CHOKED UP ABOUT YOU LEAVING. 559 00:30:25,925 --> 00:30:28,898 I JUST COULDN'T DEAL WITH IT. OH! 560 00:30:28,898 --> 00:30:29,999 REALLY? 561 00:30:29,999 --> 00:30:31,430 (chuckles) 562 00:30:31,430 --> 00:30:34,403 YOU KNOW WHO ELSE IS GONNA BE DEVASTATED? ANGIE. 563 00:30:34,403 --> 00:30:36,265 ANGIE BOLEN? 564 00:30:36,265 --> 00:30:38,267 YES. SHE'S TOTALLY BROKEN UP ABOUT THIS. 565 00:30:38,267 --> 00:30:40,409 YOU'VE GOTTA SAY GOOD-BYE. 566 00:30:40,409 --> 00:30:42,912 SERIOUSLY? I-I MEAN, I LIKE HER AND EVERYTHING. 567 00:30:42,912 --> 00:30:44,914 I JUST... WE'VE HAD OUR PROBLEMS. 568 00:30:44,914 --> 00:30:46,375 OH, JUST NEIGHBOR STUFF. 569 00:30:46,375 --> 00:30:49,378 WELL, I TRIED TO CRUSH HER SON WITH HIS CAR. 570 00:30:49,378 --> 00:30:51,380 ONE OF HER FAVORITE STORIES. 571 00:30:51,380 --> 00:30:53,382 AND THEN SHE ATTACKED ME WITH A BAT. 572 00:30:53,382 --> 00:30:57,056 SHE'S ITALIAN. THAT'S LOVE. NOW COME ON. 573 00:30:57,056 --> 00:30:59,058 YOU KNOW, ANGIE ONCE TOLD ME 574 00:30:59,058 --> 00:31:01,060 THAT A GOOD-BYE DOESN'T MEAN ANYTHING 575 00:31:01,060 --> 00:31:03,062 IF IT DOESN'T LAST TEN MINUTES. 576 00:31:03,062 --> 00:31:05,594 REALLY? I DON'T THINK ANGIE AND I HAVE EVER HAD 577 00:31:05,594 --> 00:31:07,866 A CONVERSATION THAT LASTED MORE THAN... 578 00:31:07,866 --> 00:31:09,939 GABY? 579 00:31:13,402 --> 00:31:16,145 OKAY. UH... 580 00:31:18,377 --> 00:31:21,110 IT'S GETTING LATE. LET'S GO. 581 00:31:21,110 --> 00:31:23,412 YEAH, THESE AREN'T GONNA DRAW ANY ATTENTION. 582 00:31:23,412 --> 00:31:27,416 NOT AS MUCH AS A BULLET IN THE HEAD IF YOU TRY TO RUN. 583 00:31:27,416 --> 00:31:30,489 (doorbell rings) 584 00:31:36,495 --> 00:31:39,328 IT'S MY NEIGHBOR, SUSAN. 585 00:31:39,328 --> 00:31:42,331 SOMEONE REALLY NEEDS TO THIN THIS HERD. 586 00:31:42,331 --> 00:31:44,033 GET RID OF HER. 587 00:31:44,033 --> 00:31:47,436 SUSAN. WHAT'S GOING ON? 588 00:31:47,436 --> 00:31:49,138 UH... T-TOMORROW'S MOVING DAY. 589 00:31:49,138 --> 00:31:52,011 I JUST CAME TO SAY GOOD-BYE. 590 00:31:52,011 --> 00:31:56,445 OKAY... BYE. 591 00:31:59,418 --> 00:32:01,350 DON'T YOU WANT MY NEW ADDRESS? 592 00:32:03,322 --> 00:32:07,456 RELAX, ANGE. THIS WILL BE OVER BEFORE YOU KNOW IT. 593 00:32:10,459 --> 00:32:12,501 (grunting) (lowered voice) IT'S OKAY, DANNY. 594 00:32:12,501 --> 00:32:14,503 I'M GONNA GET YOU OUT OF HERE. 595 00:32:14,503 --> 00:32:16,405 OH! (grunts) 596 00:32:29,578 --> 00:32:33,322 (shifts gears, turns off engine) 597 00:32:33,322 --> 00:32:34,723 WHY ARE WE STOPPING? 598 00:32:34,723 --> 00:32:38,287 WHAT'S THE RANGE ON THIS THING? ABOUT 200 YARDS? 599 00:32:38,287 --> 00:32:40,990 YEAH. WHY? 600 00:32:48,437 --> 00:32:50,339 (groans) 601 00:32:51,700 --> 00:32:54,103 PATRICK, WHAT ARE YOU DOING? 602 00:32:54,103 --> 00:32:58,647 WHEN I WOKE UP THAT MORNING 20 YEARS AGO, 603 00:32:58,647 --> 00:33:01,510 AND YOU WERE GONE, 604 00:33:01,510 --> 00:33:04,013 I WAS DEVASTATED. 605 00:33:04,013 --> 00:33:06,615 I TRIED TO FORGIVE YOU, BUT I COULDN'T. 606 00:33:06,615 --> 00:33:08,617 AFTER ALL, YOU DIDN'T JUST BETRAY ME. 607 00:33:08,617 --> 00:33:12,361 YOU BETRAYED EVERYTHING WE BELIEVED IN. 608 00:33:12,361 --> 00:33:16,995 SO I DECIDED ONE DAY 609 00:33:16,995 --> 00:33:19,398 I WOULD FIND YOU... 610 00:33:19,398 --> 00:33:21,500 AND I WOULD PUNISH YOU. 611 00:33:21,500 --> 00:33:24,673 AND TODAY IS THAT DAY, MY LOVE. 612 00:33:24,673 --> 00:33:27,376 WHERE'S THE BOMB? 613 00:33:30,139 --> 00:33:34,012 THERE'S 30 SECONDS FROM THE TIME I PUSH THIS DETONATOR 614 00:33:34,012 --> 00:33:36,515 TILL THE EXPLOSION-- THAT'S WHAT YOU SAID, RIGHT? 615 00:33:36,515 --> 00:33:39,388 TELL ME WHERE THE BOMB IS NOW! IT'S IN YOUR HOUSE. 616 00:33:39,388 --> 00:33:41,450 AND IF YOU WANT TO SAVE OUR SON, 617 00:33:41,450 --> 00:33:44,253 I SUGGEST YOU GET MOVING. (beep) 618 00:33:51,200 --> 00:33:52,361 (beeping) 619 00:33:52,361 --> 00:33:55,464 COME ON. HURRY. I GOTTA HELP MY MOM. I'M TRYING! 620 00:33:57,066 --> 00:33:58,407 OKAY. 621 00:34:09,078 --> 00:34:11,280 (singsongy) IT'S IN THE DETONATOR. 622 00:34:12,551 --> 00:34:15,584 YOU BITCH. 623 00:34:15,584 --> 00:34:17,286 (beep) 624 00:34:20,259 --> 00:34:22,231 (gasps) MOM? 625 00:34:46,385 --> 00:34:49,118 (man speaking indistinctly over P.A.) 626 00:34:49,118 --> 00:34:51,560 OH, GABY. WE CAN'T TAKE THIS. THIS IS TOO MUCH. 627 00:34:51,560 --> 00:34:53,562 I INSIST. 628 00:34:53,562 --> 00:34:56,525 ALTHOUGH I AM GONNA NEED $10 FOR PARKING. 629 00:34:59,428 --> 00:35:02,471 SO... THIS IS GOOD-BYE. 630 00:35:02,471 --> 00:35:03,672 FOREVER, RIGHT? 631 00:35:03,672 --> 00:35:06,104 I MEAN, THAT'S HOW THIS WORKS? 632 00:35:06,104 --> 00:35:07,606 YEAH. 633 00:35:09,508 --> 00:35:11,610 (scoffs) YOU KNOW WHAT'S FUNNY? 634 00:35:11,610 --> 00:35:14,313 NICK HAD TO DRAG ME HERE KICKING AND SCREAMING. 635 00:35:16,485 --> 00:35:19,488 HE TOLD ME IT WOULD BE A GOOD PLACE TO BLEND IN 636 00:35:19,488 --> 00:35:21,490 BECAUSE PEOPLE WAVE AT YOU 637 00:35:21,490 --> 00:35:23,492 FROM BEHIND THEIR LITTLE PICKET FENCES, 638 00:35:23,492 --> 00:35:28,397 BUT THEY WOULD NEVER GET INVOLVED. THEY DON'T CARE. 639 00:35:28,397 --> 00:35:31,500 WELL, THANK GOD YOU PROVED HIM WRONG. 640 00:35:34,733 --> 00:35:36,405 TAKE CARE. 641 00:35:46,545 --> 00:35:49,748 SO WE BETTER HURRY. BUS IS LEAVING IN FIVE MINUTES. 642 00:35:49,748 --> 00:35:53,752 YEAH. WE SHOULD GIVE HIM HIS TICKET. 643 00:35:58,757 --> 00:36:00,789 THIS IS A TICKET TO NEW YORK. 644 00:36:00,789 --> 00:36:03,492 I THOUGHT THE PLAN WAS TO GO TO ATLANTA. 645 00:36:03,492 --> 00:36:05,694 THAT'S OUR PLAN. 646 00:36:08,397 --> 00:36:10,399 NO WAY. LISTEN TO ME. 647 00:36:10,399 --> 00:36:12,701 I WANT TO BE WITH YOU GUYS. 648 00:36:12,701 --> 00:36:14,703 AND WE WANNA BE WITH YOU, 649 00:36:14,703 --> 00:36:16,705 BUT WE HAVE TO STOP BEING SELFISH. 650 00:36:16,705 --> 00:36:19,348 SHE'S RIGHT. IT'S TIME WE LET YOU LIVE YOUR LIFE. 651 00:36:19,348 --> 00:36:22,311 YOU'RE GONNA HAVE SO MUCH FUN IN NEW YORK. 652 00:36:22,311 --> 00:36:24,953 WE GET TO BE WITH ANA. YOU CAN SEE GRANDMA. 653 00:36:24,953 --> 00:36:27,456 AND YOU CAN FINALLY STOP RUNNING. 654 00:36:27,456 --> 00:36:30,889 BUT I'LL STILL GET TO SEE YOU GUYS EVERY ONCE IN A WHILE. 655 00:36:32,921 --> 00:36:35,424 RIGHT? I MEAN, PATRICK'S DEAD. 656 00:36:35,424 --> 00:36:37,626 THE FBI IS STILL LOOKING FOR US. 657 00:36:37,626 --> 00:36:40,629 I DON'T THINK I CAN DO THIS. I'M NOT READY FOR-- 658 00:36:40,629 --> 00:36:43,502 HEY, HEY, HEY, HEY, HEY. 659 00:36:43,502 --> 00:36:46,975 YOU ARE GONNA BE FINE, OKAY? 660 00:36:46,975 --> 00:36:48,937 BECAUSE YOU... 661 00:36:48,937 --> 00:36:52,441 YOU HAVE TURNED INTO ONE HELL OF A MAN. 662 00:36:52,441 --> 00:36:55,314 (chuckles) YEAH. 663 00:36:56,985 --> 00:36:58,487 IF I AM... 664 00:37:00,519 --> 00:37:02,451 IT'S 'CAUSE YOU WERE MY FATHER. 665 00:37:39,858 --> 00:37:41,830 (door opens) 666 00:37:41,830 --> 00:37:44,533 (door closes) 667 00:37:44,533 --> 00:37:45,794 MOM? 668 00:37:49,037 --> 00:37:51,470 WHY IS ALL OF ORSON'S STUFF GONE? 669 00:37:55,444 --> 00:37:58,447 HE LEFT ME. 670 00:37:58,447 --> 00:38:01,310 WHAT? WHY? 671 00:38:01,310 --> 00:38:03,482 HE FEELS I'M A HYPOCRITE. 672 00:38:03,482 --> 00:38:05,954 THAT'S RIDICULOUS. 673 00:38:05,954 --> 00:38:09,458 NO. HE'S RIGHT. I AM. 674 00:38:09,458 --> 00:38:12,761 IS THERE ANYTHING I CAN DO? 675 00:38:12,761 --> 00:38:14,923 THERE IS. 676 00:38:17,966 --> 00:38:20,469 YOU CAN GIVE ME YOUR PERMISSION TO DO SOMETHING 677 00:38:20,469 --> 00:38:23,572 I SHOULD HAVE DONE A LONG TIME AGO. 678 00:38:26,505 --> 00:38:28,477 (telephone ringing in distance) 679 00:38:28,477 --> 00:38:30,779 THIS IS BAD. 680 00:38:30,779 --> 00:38:32,981 WHAT IF WE DON'T SAY ANYTHING? 681 00:38:32,981 --> 00:38:34,943 THE NURSE IS DEAD. NOBODY ELSE KNOWS. 682 00:38:34,943 --> 00:38:36,915 THE PRIEST KNOWS. 683 00:38:36,915 --> 00:38:39,818 I DON'T SUPPOSE WE COULD BUY HIM OFF. 684 00:38:39,818 --> 00:38:41,950 JUST A SUGGESTION. 685 00:38:41,950 --> 00:38:44,953 IF THIS LEADS TO A LAWSUIT, WE HAVE NO DEFENSE. 686 00:38:44,953 --> 00:38:46,955 THIS COULD RUIN THE HOSPITAL. 687 00:38:46,955 --> 00:38:50,429 JACK, WHAT'S WRONG? 688 00:38:50,429 --> 00:38:52,431 I KNOW ONE OF THESE FAMILIES. 689 00:38:52,431 --> 00:38:56,765 THEY LIVE TWO BLOCKS FROM ME ON WISTERIA LANE. 690 00:38:56,765 --> 00:38:59,838 THEN MAYBE YOU'RE THE BEST PERSON TO TELL THEM. 691 00:38:59,838 --> 00:39:01,840 AND HOW DO I DO THAT? 692 00:39:01,840 --> 00:39:05,944 (sighs) HOW DO YOU TELL PARENTS THE CHILD THEY'VE BEEN RAISING-- 693 00:39:05,944 --> 00:39:10,649 THE CHILD THEY LOVE-- ISN'T REALLY THEIRS? 694 00:39:16,555 --> 00:39:20,589 HEY THERE. WHAT'S GOING ON? SUSAN TRYING TO SNEAK OFF WITHOUT SAYING GOOD-BYE. 695 00:39:20,589 --> 00:39:22,591 THE MORE I THOUGHT ABOUT IT, 696 00:39:22,591 --> 00:39:24,893 THE MORE I REALIZED IT'S NOT A BIG DEAL. 697 00:39:24,893 --> 00:39:26,895 I'M JUST MOVING ACROSS TOWN. 698 00:39:26,895 --> 00:39:28,897 I'M GONNA SEE YOU ALL FRIDAY FOR POKER. 699 00:39:28,897 --> 00:39:31,900 YOU BETTER, 'CAUSE IF WE DON'T HEAR FROM YOU ONCE A WEEK, 700 00:39:31,900 --> 00:39:34,873 WE WILL HUNT YOU DOWN AND BRING YOU BACK. YOU KNOW THAT, RIGHT? I DO. 701 00:39:34,873 --> 00:39:37,105 SO WHO'S RENTING YOUR HOUSE? 702 00:39:37,105 --> 00:39:39,578 LEE FOUND A GUY. 703 00:39:39,578 --> 00:39:43,011 IT'S JUST NOT GONNA SEEM RIGHT, SOMEONE ELSE IN YOUR HOUSE. 704 00:39:43,011 --> 00:39:45,013 YEAH. WELL, WHOEVER THE GUY IS, 705 00:39:45,013 --> 00:39:48,687 HE IS VERY LUCKY, 'CAUSE HE'S ABOUT TO GET HIMSELF 706 00:39:48,687 --> 00:39:50,689 THREE OF THE MOST WONDERFUL NEIGHBORS 707 00:39:50,689 --> 00:39:52,691 A PERSON COULD ASK FOR. 708 00:39:56,665 --> 00:39:59,167 YOU KNOW, SOMETIMES WHEN YOU SEE PEOPLE EVERY DAY, 709 00:39:59,167 --> 00:40:02,170 YOU FORGET TO TELL THEM HOW MUCH THEY MEAN TO YOU. 710 00:40:02,170 --> 00:40:04,102 SO FOR THE RECORD... 711 00:40:04,102 --> 00:40:07,175 I THINK THE THREE OF YOU ARE SUCH GOOD PEOPLE. 712 00:40:08,777 --> 00:40:11,480 AND YOU'VE MADE ME A BETTER PERSON, 713 00:40:11,480 --> 00:40:15,183 AND I THANK YOU FOR THAT. (chuckles) 714 00:40:15,183 --> 00:40:18,947 HEY, SUSAN, I HATE TO INTERRUPT, BUT WE REALLY GOTTA GET GOING. 715 00:40:18,947 --> 00:40:21,650 I SHOULD GO CHECK ON TOM AND THE BABY. 716 00:40:21,650 --> 00:40:23,722 I'M SURE ONE OR BOTH WILL NEED TO BE FED. GO, GO. 717 00:40:23,722 --> 00:40:27,726 I'LL CALL YOU ALL IN THE MORNING. OKAY. (chuckles) 718 00:40:29,598 --> 00:40:31,199 HONEY, WHAT'S WRONG? 719 00:40:32,701 --> 00:40:35,534 WHAT SUSAN SAID... 720 00:40:35,534 --> 00:40:38,436 IT'S NOT TRUE. I'M NOT A GOOD PERSON. 721 00:40:38,436 --> 00:40:40,669 OH, THAT'S SILLY. OF COURSE YOU ARE. 722 00:40:40,669 --> 00:40:43,672 NO, I'M NOT. THERE'S SOMETHING I NEED TO TELL YOU 723 00:40:43,672 --> 00:40:47,616 I SHOULD HAVE TOLD YOU YEARS AGO BUT I DIDN'T. 724 00:40:47,616 --> 00:40:51,550 YOU SOUND SO SERIOUS. WHAT IS IT? 725 00:40:51,550 --> 00:40:55,023 IT'S THE KIND OF THING THAT COULD END OUR FRIENDSHIP. 726 00:40:56,855 --> 00:40:58,657 CAN WE GO TALK? 727 00:41:08,737 --> 00:41:10,238 (seat belt clicks) 728 00:41:10,238 --> 00:41:13,201 WELL... YOU READY? 729 00:41:13,201 --> 00:41:15,874 YEAH. 730 00:41:15,874 --> 00:41:17,976 DRIVE AWAY SLOW, OKAY? 731 00:41:19,878 --> 00:41:22,050 (starts engine) 732 00:41:22,050 --> 00:41:23,582 (shifts gears) 733 00:41:25,814 --> 00:41:30,088 AS THEY PULLED AWAY, 734 00:41:30,088 --> 00:41:35,093 SUSAN LOOKED OUT ON THE STREET SHE LOVED SO MUCH-- 735 00:41:35,093 --> 00:41:39,898 A STREET WHERE PARENTS COULD RAISE THEIR CHILDREN... 736 00:41:41,499 --> 00:41:45,634 WHERE RETIREES COULD ENJOY THEIR GOLDEN YEARS... 737 00:41:45,634 --> 00:41:47,676 WHERE GOOD FRIENDS 738 00:41:47,676 --> 00:41:52,510 COULD SHARE HORRIBLE SECRETS... 739 00:41:52,510 --> 00:41:55,884 YES, SUSAN LOOKED ON THIS STREET 740 00:41:55,884 --> 00:42:00,188 AND VOWED SHE WOULD BE BACK... 741 00:42:00,188 --> 00:42:03,021 BUT AS SHE DID SO, 742 00:42:03,021 --> 00:42:06,625 SHE DIDN'T NOTICE THE CAR THAT PASSED HER... 743 00:42:08,657 --> 00:42:12,130 A CAR CARRYING WISTERIA LANE'S... 744 00:42:12,130 --> 00:42:17,265 NEWEST RESIDENT. 745 00:42:17,265 --> 00:42:20,268 SO I HAVE SOME PAPERWORK FOR YOU TO SIGN OVER HERE, 746 00:42:20,268 --> 00:42:24,873 AND ONCE WE GET THIS DONE, I CAN GIVE YOU THE KEYS. 747 00:42:24,873 --> 00:42:27,876 AND I JUST KNOW YOU'RE REALLY GONNA LIKE IT HERE. 748 00:42:27,876 --> 00:42:30,749 PEOPLE ARE FRIENDLY, RELATIVELY QUIET. 749 00:42:30,749 --> 00:42:33,722 IT'S JUST... IT'S JUST A LOVELY NEIGHBORHOOD. 750 00:42:33,722 --> 00:42:37,756 OH, I KNOW THE NEIGHBORHOOD VERY WELL. 751 00:42:37,756 --> 00:42:40,558 THE TRUTH IS, I USED TO LIVE HERE. 752 00:42:40,558 --> 00:42:42,560 OH, WELL, THEN I GUESS 753 00:42:42,560 --> 00:42:45,664 EVERYONE WILL BE SURPRISED TO SEE YOU AGAIN. 754 00:42:45,664 --> 00:42:48,136 THEY ABSOLUTELY WILL.